STRAUSS: Also sprach
Zarathustra, Op. 30.(*) DEBUSSY: Jeux.(**) SZYMANOWSKI: Songs of an Infatuated
Muezzin, Op. 31.(Jean-Paul FouchÈcourt, tenor).(*) Songs of a
Fairy-tale Princess, Op. 31. (Valdine
Anderson, soprano)(**)
BBC National Orchestra of Wales/Tadaaki Otaka, cond. (*)
Mark Elder, cond. (**)
BBC MUSIC BBCP 1004 TT: 76:49
(THIS CD IS NO LONGER AVAILABLE)
This is one in a fascinating series of
recent live performances recorded during the BBC Proms Summer Series originally
broadcast on BBC Radio 3, all issued at mid-price.
Many of the performances were recorded at concerts in Royal Albert Hall and
capture the rich acoustics of the hall with remarkable accuracy. This
particular CD is a winner. Although the BBC National Orchestra of Wales
is
not as well known as London's major orchestras, judging by their playing
on this CD they are of equal merit. And these are live performances
recorded August 10, 1998, with
no retakesalthough none would have been necessary. Strauss's
symphonic poem is magnificently done with the huge sound of the Royal Albert
Hall organ
providing luxurious subterranean bass even at low volume level.
The two Szymanowski song cycles are an
odd coupling for the huge Strauss symphonic poem but more than welcome as
there are few other recordings. Six Songs
of an Infatuated Muezzin, Op. 42 were written in 1918. Four were
orchestrated in 1934 (Allah Akbar, Allah!, At Noon the City is White
in the Heat, At the Quiet Hour When the City Sleeps, Away You Have Gone).
In this music the composer's keen interest in Arab and Persian culture
is
evident. The world of eroticism also is to be
found in Six Songs of a Fairy-Tale Princess, Op. 31, written
in 1915. Originally composed for voice and piano, three of the six were
orchestrated in 1933 (The Lonely Moon, The Nightingale, Dance). Both of
these
exotic song cycles demand the greatest agility from the
performers, requirements well met by Jean-Paul FouchÈcourt and Valdine
Anderson. These songs set the scene for the final work on this CD,
Debussy's colorful Jeux which, aside from a few moments of imprecision
in
the opening pages, is played with refinement.
I've heard two other issues in the BBC
Proms series that command
attention. One offers Stravinsky's Scherzo fantastique, Op.
3, Holst's The Planets and The Sorcerer's Apprentice by Dukas
all played by the BBC
National Orchestra of Wales conducted by Mark Elder and Tadaaki Otaka (Dukas). Again
the mighty Royal Albert Hall organ is heard to good effect (BBC Music
1003). The other CD features the BBC Symphony Orchestra conducted by Sir
Andrew Davis (Elgar's Froissart Overture, Op. 19), Mark Elder (Britten's
Sinfonia da Requiem), and Jukka-Pekka Saraste (Stravinsky's Rite of Spring)
(BBC
Music 1001). All of these are splendid performances with wonderfully
rich orchestral sound. It sort of makes the collector wonder if all those "balance
engineers" etc. in many commercial recordings really are necessary.The
only debit on Zarathustra
is that there are not individual tracks for each section.
R.E.B. (Oct. 2000)
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