HANDEL: Piano Concertos, Op. 7 (No. 1 in B flat. No. 2 in A. No. 3
in B flat. No. 4 in D minor. No. 5 in G minor. No. 6 in B flat
Mathias Kirschnereit, piano. Deutsche Kammerakademie Neuss an Rhein/Lovard
Skou Larsen, cond.
CPO SACD 777 855 TT: 75:02
AXEL BORUP-JORGENSEN: "Thalatta!Thalatta!" Op.
127. Marine Sketster.
Opus 4B. Winter Pieces, Op. 30b. Summer Intermezzi, Op. 65.Passacaglia
for Klaver Op. 2b. Regndrabe interludier Op. 144. Epigrammer, Op. Op.
78. Miniaturesuite, Op. 3b. Praeludier for Klaver, Op. 30a. Phantasiesticück
for Celesste Op. 115
Erik Kaltoft, piano and celeste
OUR RECORDS SACD
220616 TT: 65:46
MÜLLER: Am Anfang - Drei Versuch e Die Welt Zu Erfinden VOLKER
DAVID KIRCHNER: Exil. MESSIAEN: Quartet for the End of
Time.
Zurich Ensemble
ARS SACD 06900 TT:
79:49
CPO surely is doing their bit for Georg Fridrich Handel.
Here is their second disk devoted to adaptations of six of his concertos
for organ
Op. These are brilliantly played here by Mathias Kirschnereiton a modern
instrument that has clear soiund and tonal beauty, btinging new life
to these masterpieces. The clarity of the piano conveys Handel;s music
to more telling effect than the small organs usuaoly heard. This is
delightful listening in every way, and highlhy recommended.
Danish cimoiser Axel Borup-Jorgensen (1924 - 2012) was a mnor figure
on Denm ark;s music scene, a teacher and composer. This unusual new Our
Records SACD offers an overview of his works for solo piano, many of
which have intriguing titles that usuaoly don't seem appropriate for
their
titales.
These are polayed by Erik Kaltoft who was a colleaguye and close friend
of the composer for more than four decades. We can be sure these are
what the composer intended, but I doubt many listeners will find anything
here of lasting iunterest. The final work, Phantasiestücke is for celeste.
Excellent audio. .of numerous works for solo piano. never held a high-profile
post as an academic
or
performer.
Rather,
he
chose
to
live
a quiet life
composing
and teaching piano. With an intensely personal style, Borup-Jorgensen
was a scrupulous modernist. His music has a concentrated language
and an advancement of expression. Although Borup-Jorgensen was an adept
pianist, he did not write a great deal of literature for the instrument.
The works on this release are an overview of his piano output, and
span almost five decades. Interpreting this demanding repertoire
is
pianist Erik Kaltoft. Kaltoft is a contemporary music specialist,
and was also a friend, colleague, and collaborator with the composer
for
forty-five years. Good audio, of forgettable repertory.
Those who wish to investigate the fringes of the chamber music repertory
might wish to investigate an Alba SACDF featuring the Zurich Ensemble
which consists of clarinetist Fabio Di Cásola, violinist Kamilla Schatz.
cellist Pi-Chin, and pianist Benjamin Engeli. The disk
is titled
:Beyond Time and consists of two avant-garde works ending with
one of the major chamber music works, Messiaen;s Quartet For The
End of Time.
The opening work is by Zurich-born David Müller who is considered
to be of of the leaders of his generation; some of his music has been
recorded by conductor David Zinman. Am Anfang - Drei Versuch e Die
Welt Zu Erfinden has a text by Tim Krohn depicting the savagery
of creation, sung/spoken by a soprano (Christiane Bostger). Volker David
Kirchner’s Exil is about bleak loneliness. After these
challenging scores, Messiaen's Quartet is welcome All of this music
is played very well in these recordings made in Zurich Radio Studio I
in November 2015.
R.E.B. (September 2016)
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