JANÁCEK: Jenufa -- Suite. The Excursions of Mr. Broucek -- Suite.
New Zealand Symphony Orchestra/Peter Breiner
Naxos 8.570555 (B) (DDD) TT: 70:20. BUY NOW FROM ARKIVMUSIC
JANÁCEK: Kát'a Kabanová -- Suite. The
Makropulos Affair -- Suite.
New Zealand Symphony Orchestra/Peter Breiner
Naxos 8.570556 (B) (DDD) TT: 70:31 BUY NOW FROM ARKIVMUSIC
Nice. First, Janácek did not make suites from his operas. Peter
Breiner arranged these suites. Some of the items he lifted pretty much
whole. Others he hunted and snipped and pasted. I've got nothing against
such procedures per se. After all, it's done with movie soundtrack albums
all the time. However, I really have to wonder why Breiner did it. Whom
did he serve?
At one point the answer would have been Janácek himself. The operas
weren't all that well known beyond Czechoslovakia, after all, and such
suites might well have introduced many to the music, thus leading to performances
and recordings. However, all the operas here have received already recordings
(still currently available) and a couple have actually made standard rep.
Broucek and Makropulos, I believe, have even been done at the Met, that
most hidebound of houses. Consequently, you might think that these suites
now introduce the music-lover to the operas. Listeners can dip into the
music and decide whether they want to go further.
However, Breiner's suites give you very little idea of the power of the
operas. At most, I can say that they're well-fashioned and make for a
pleasant listening experience. But, to take one example, Kát'a Kabanová is
not a pleasant opera, and you miss the tragedy in Breiner's suite. Breiner
fails to catch the eccentricity of Broucek, and I don't see how he could
have done so. Janácek's operas depend on text and singing actors
as well as the music to make anything near their full effect. So I'd take
the plunge and buy a complete opera instead. The Cunning Little Vixen introduced
me to Janácek's operas and hooked me, so that I wanted to hear as
much as I could. And, by the way, get the operas sung in Czech, rather
than in German or in English. You will probably understand nothing without
a gloss in front of you, but in general, singing translations notoriously
suck and diminish the poetry of the text.
Other than those caveats, these CDs comprise an afternoon of agreeable
listening. Breiner and his kiwis do very well. I've never really listened
to the New Zealand Symphony before, mainly because their repertoire interested
me to the exclusion of their performances. Now that they play something
that interests me less, I can focus on them: a lovely string sound and
capable of sustaining large spans of music. I can't tell how much Breiner
has contributed to this, but obviously the capability lies within the
players. The sound is acceptable without crossing over into the super-spectacular.
S.G.S. (December 2009)
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